Book Review: Vampire Academy #6 – Last Sacrifice

Title: Last Sacrifice
Author: Richelle Mead
Year of Publication: 2010
Series: Vampire Academy
#: 6
Goodreads Rating (Avg.): 4.46
Goodreads Rating (Mine): 5

Last Sacrifice

Beware: The Inevitable… SPOILERS!

Last Sacrifice is the Fast and the Furious and Die Hard 2: Die Harder all rolled into one of the VA series. And I’m not just saying that because of the inordinate amounts of C4 explosive in this book.

In Last Sacrifice, the gang goes from under-the-radar hijinks to an IN-YOUR-FACE, GOVERNMENT level of hijinks. The Moroi government should really have known better than to put Abe Mazur’s daughter in jail and try her for a capital crime. Just saying.

Just as in Blood Promise, the books splits itself to follow two storylines, once again through that unique narrative device of having Rose see through Lissa’s eyes. It begins where Spirit Bound left off – with Rose in jail. Thankfully she has all the likely allies, as well as a few unlikely ones now. The least likely of these allies is the ghost of the very person she’s been accused of murdering – Queen Tatiana Ivashkov.

The first order of business is – what else? – a prison break. Again. Then again, if these guys could break into Tarasov (aka Most High Security Vampire Prison Ever) and get Victor Dashkov (aka Former Villain of Book No. 1) out, then breaking into the local jail and breaking Rose out should be no problem. And it isn’t.

The jail break and subsequent escape puts Rose back in Dimitri’s company, thus allowing for a slow healing of their relationship. They meet up with Sydney Sage again – she’s been popping in and out of the storyline ever since Blood Promise – and Abe intends for them to lie low while he, Lissa and the rest of the gang work their way through the whodunit back at court.

Rose, on the other hand, takes this time to work on Ghost Tatiana’s clue, which relates to Moroi politics and their rather dumbass laws. According to Moroi law, the Council votes on everything, and the Council is made up of the representatives of each Royal House along with the Queen or King. And currently, only 12 out of 13 seats on the Council are being filled, because the Dragomirs have all but died out. Lissa’s friends and supporters (read: Christian’s aunt, Tasha Ozera) had already pointed out that Lissa deserves her seat on the Council now that she’s 18 (Side Note: How did Lissa herself not think of this?). But Moroi politics, it turns out, isn’t as simple as all that. There needs to be a quorum – that is to say, a council member has to have at least one other family member in order to be able to stand. Like I said, dumbass law.

And now, Tatiana, of all people, tells Rose that Lissa does indeed have another family member out there. She’s not the last Dragomir – that honour falls to her illegitimate half sibling. The identity of this sibling, when it is revealed, is one that we realize has been well seeded. VA is no amateur series of novels written blindly and without forethought. The reader had already met the last Dragomir – way back in Shadowkiss, and said sibling has been popping up consistently throughout the storyline since. Just like Sydney Sage, or Mia Rinaldi, or Tasha Ozera. Even when they’re not essential to the plot, Mead does right by her characters. They’re all well fleshed out and multi dimensional, and they’re never allowed to be forgotten.

To gain themselves time to solve the murder mystery, Rose comes up with a master plan: Nominate Lissa in the election for the new King or Queen. Because while she would need a quorum to be actually elected, she doesn’t need one to just run. And so while Lissa is running for queen and trying to exonerate Rose back at Court, Rose is running from the authorities and trying to find Lissa’s sibling and thereby legitimize her position with the Council. These girls, always looking out for each other.

One run in with the mysterious (and fairly uncivilized) Keepers, one Strigoi healing, one reconciliation with Dimitri, and a lot of following the paper trail later, Rose is headed right back to Court with all the answers and a very confused Jill Mastrano. Since Lissa outperformed most of the other Royal candidates on the trials, she’s just in time to back Lissa’s right to be elected.

And also just in time to save Lissa’s life, one last time.

Last Sacrifice takes its haunting title very seriously. The last act of the book echoes every part of Rose’s life, and how it always comes right back down to Lissa. She started out with a singleminded determination to save Lissa no matter what, and then she learned to question that determination. She learned to set a few, necessary boundaries, but the bottom line remained unchanged. Just as she put Lissa’s life over Dimitri’s in  Spirit Bound, so too did she put Lissa’s life over her own in Last Sacrifice. 

In fact, her life isn’t the only thing Rose sacrifices at the Lissa altar. Present all through the series is the link between Lissa’s spirit use and her depression. In fact, on numerous occasions after Lissa weans herself off the anti depressants, both girls have expressed relief that Spirit isn’t affecting her as much as it used to. That this is a patent lie is something neither of them seems to want to acknowledge, considering Rose has made sucking that darkness out of Lissa and into herself through the spirit bond something of a hobby.

Throughout Lissa’s royalty trials, Rose does this as she watches her friend through the bond. She pulls away the darkness over and over again, putting it away in a quiet corner of her mind. Repression is never the answer – everyone knows that, including these girls, but they don’t have the time for anything else at the moment. And so it goes, until Rose snaps and all that darkness comes tumbling out of her.

It’s an intensely written moment – chaotic and full of irrational fury. The engaged reader is carried along on the strength of sheer emotion, and despite the words we’re reading, we’re not actually clear on what’s going on until the deed is done and a man is dead.

Having sacrificed the last of her innocence halfway through the book, Rose now, at the end of the final act, gives Lissa the only thing she has left – her life.

The book ends on as neat a note as could be managed under the circumstances. There were, of course, loose ends that infuriated me until I realized a new followup series was in the works. But, contrary to what my sad ending review may lead you to believe, there are no great tragedies in Last Sacrifice. It’s the quintessential triumph-over-evil-in-the-end kind of book. The final chapter puts a cute little bow on almost everything, and for what’s left over, [*cough* Adrian *cough*] you get to read the Bloodlines series.

Next in this Series: Bloodlines #1 – Bloodlines by Richelle Mead
Next Review: #scandal 
by Sarah Ockler

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Book Review: Vampire Academy #3 – Shadow Kiss

Title: Shadow Kiss
Author: Richelle Mead
Year of Publication: 2008
Series: Vampire Academy
#: 3
Goodreads Rating (Avg.): 4.41
Goodreads Rating (Mine): 5

VA #3 - Shadowkiss

SPOILER WARNING

For Books 1, 2 and 3

Shadow Kiss is in a lot of senses, the coming of age novel of the VA series. Yes, Rose turns 18 in this book. She also gets her first glimpse of life as an adult (on her visit to the Moroi court), gets an idea of how things work in real life, where you’re expected to bend your life around other peoples’ priorities, and experiences death and loss on a vast scale. It’s almost as though, after watching a close friend die in Frostbite, life is now telling her, “You think you’re strong? You don’t know what real pain is yet.” 

At the end of the book, when she takes advantage of her birthday and her newly adult status by leaving the Academy on a suicidal personal quest, she’s wilfully walking into a real world that is far more dangerous than any of us may ever experience in our lives. She hasn’t fully comprehended the real consequences of that decision (like most of us at our college graduations) but proves extremely flexible, taking on the roles and challenges thrown at her without any hesitation (very unlike a lot of us after our college graduations).

Shadow Kiss therefore represents the calm before the storm – that last blow off semester before the end of college, or the gap year you decide you want to take before you settle down to a life of tiny cubicles and all nighters without over time pay. The field experience that the novice dhampirs are required to take – six weeks of guarding a pre-assigned moroi student against simulated attacks conducted by their instructors is one way this is symbolized. This is nothing, it all seems to say. Real life, for these students, will not be their teachers dressed in black and play acting – it will be ruthless undead vampires who are twice as faster and stronger than they. Failure will not mean a low grade, but death.

The fact that Rose keeps seeing the ghost of her recently deceased friend Mason Ashford is another grim foreshadowing of the tragic battle that takes place at the end of the book. It also opens the door for a new discovery – in the accident that killed the rest of Lissa’s family and injured her and Rose, Rose hadn’t just been injured. She’d died for a few moments, and then been brought back, which was the result for the spirit bond the two of them share. It also made Rose “shadow kissed”, meaning that she was closer to the world of death, and thus had the ability to see ghosts and sense Strigoi when they’re near.

Rose’s relationship with Dimitri also exemplifies the calm before the storm. In the previous book, she had spent a lot of time being jealous of Christian’s aunt – Natasha Ozera – who was apparently an old friend of Dimitri’s, and who had asked for him to be her ‘guardian-with-benefits’. And he had almost taken her up on her offer, seeing the perfect solution to his falling-in-love-with-my-student woes (as well as the opportunity to have a child, something male dhampirs in particular didn’t usually have).

In Shadow Kiss, Dimitri acknowledges the fact that Rose is often far more mature than her years, and Rose comes to the realization that for someone who kept to himself as much as Dimitri did, she wasn’t just a student, but also a constant human interaction in his life. In the reader’s eye, this realization represents a new evolutionary stage on the road to moving their relationship from that of teacher and student to one between equals.

They move slowly from fighting their attraction to eventually having sex with each other, in what is a beautifully written scene that captures the comforting, yet simultaneously red hot nature of passionate sex with someone you’re deeply in love with. Afterward, they agree not to put aside their respective wishes entirely, and discuss ways in which they can be together while fulfilling their guardian duties as well. In what is a well worn theme for this book, it should then come as no surprise to anyone that this beautiful and well matched couple is “torn asunder” (to use some Shakespearean language) by the end of the story.

Another relationship following a positive evolutionary curve is the one between Rose and Christian. Despite their constant bickering and professed dislike of each other (Rose went as far as to try and wreck his fledgling relationship with Lissa in the first book because she didn’t feel he was a trustworthy character), it has been seen in the past that their mutual love for Lissa (and the fact that they’re practically the same person) makes them an excellent team. In fighting Dashkov’s psy-hounds in Vampire Academy, and in taking on their Strigoi kidnappers in Frostbite, Rose and Christian have unconsciously worked in tandem with fantastic, beat-the-odds kinds of results. This is taken a step further in Shadow Kiss when Rose is assigned to guard Christian for her field experience project. Having fully expected to get Lissa, Rose throws a hissy fit when she realizes she’d been assigned to Christian. And yet, as she remarks later, “For the next six weeks, he’s my pain in the ass.” And true to her word, she defends him – not just from fake vampire attacks, but also from rumours and mud slinging. For his part, Christian exhibits an enormous amount of faith in her when it looks as though she refused to protect him from a simulated attack on purpose, and is literally the only person to believe (without her having to defend herself first) that she didn’t leave him unguarded out of spite.

In the battle at the end of the book, Rose and Christian pull off something practically unprecedented when they work together to fight strigoi – he, with his power over fire, and she through her guardian training. They end up killing almost half the attacking force single-handedly, thereby making the strongest case heretofore in allowing moroi offensive magic against strigoi.

History is made in more senses than one in this book, as Dimitri himself says at one point in the story. In addition to the magic use, the guardians also stage a rescue attempt for the moroi and dhampirs who had been abducted by the fleeing strigoi (unheard of, considering usually that their first and only priority is to protect their assignments and do no more). The changing political scene of the book provides an effective and realistic backdrop to the personal drama that takes its centre-stage.

Rose’s friendship with Lissa reaches an all time low point at the end of Shadow Kiss, as Rose pushes the mantra of the guardians – “They (the moroi) come first”  – aside for the first time in her life and does something purely for her own sake. The self sacrificing nature of her friendship with Lissa has been emphasized before, but Shadow Kiss begins seeding doubts in her quite early on . This is firstly accomplished through Rose’s realization that she and Dimitri cannot have a relationship – age issues aside – because they are both to be assigned to Lissa, and they cannot prioritize each other above their assignment. And it’s brought up again when the therapist assigned to Rose asks her whether she doesn’t subconsciously resent having to put aside her own life in order to protect Lissa.

Even though Rose stoutly defends the guardian mantra in her counselling sessions and accepts Dimitri’s reasoning about the future of their relationship (or lack thereof), when she’s actually forced to choose between Dimitri and Lissa, she chooses the former and leaves her best friend behind.

It is a further sign of how much the moroi take the dhampirs for granted that it took a whole year and seeing Rose’s anguish at losing Dimitri for Lissa to realize that her best friend was in love with her teacher. And even then, Lissa pleads with Rose, and even tries to guilt her into staying.

In fact, this quote from the book perfectly encapsulates their relationship:

“She’d changed for dinner. Her hair was still pulled up, and she now wore a formfitting (sic) dress made out of silver raw silk. She looked beautiful. She looked royal. I thought about Victor’s words and wondered if she really could be the power for change he swore she was. Looking like she did now, so glamorous and self-composed, I could imagine people following her anywhere. I certainly would, but then, I was biased.
“Why are you looking at me like that?” she asked with a small smile.
I couldn’t tell her that I’d just seen the man who frightened her the most. I couldn’t tell her that while she’d been out living it up, I’d been off watching her back in the shadows, like I would always do. Instead, I returned her smile. “I like the dress.”

I might be biased too, because this was the first book I’d read that’s set in this world, but I consider Shadow Kiss Mead’s best work till date. It’s powerful and passionate, filled with grey foreshadowing and highlighted by moments of intense emotion. The momentum built up by the previous books does not falter, nor does Mead hold herself back from consistently raising the stakes at all levels of storytelling. If you still need to be convinced that you need to read this series, I suggest starting with Shadow Kiss. 

Up Next – A break from the world of vampires and academies:

Penryn and the End of Days #1 – Angelfall
Next in this series: Vampire Academy #4 – Blood Promise

Book Review: Vampire Academy #2 – Frostbite

Book Title: Frostbite
Author: Richelle Mead
Year of Publication: 2008
Series: Vampire Academy
#: 2
Goodreads Rating (Avg.): 4.31
Goodreads Rating (Mine): 5

frostbite
Vampire Academy #2 – Frostbite

Plot Description: The sequel to Vampire Academy picks up a few months after the first, showing a new stage in Rose’s guardian training. Running away from the school for two years had meant that she spent the first book trying to catch up with her classmates, and Frostbite opens with her Qualifier exam – one which requires an external guardian to evaluate her progress. As her mentor, it seems Dimitri was able to get her an interview with one of the most legendary guardians around, and as a bonus, this means Rose gets to roadtrip alone with her crush.

Her cute triumph at having scored ten hours of being alone with him soon dovetails neatly with tragedy – a Strigoi attack at their destination. And with that, Mead begins to unravel the clean cut rules she had previously set down for her universe.

One of the things the moroi and the dhampirs take for granted is safety in daylight, as the strigoi cannot be out in the sun without turning into humanoid torches. Another is the presence of wards – created using the same charmed silver stakes that are the ultimate weapons against the strigoi. The strigoi cannot touch the wards, but as they realize in this book, they could very well work with humans who can, and would do so in exchange for the promise of immortality.

Of course, such promises are rarely kept, which makes the humans’ who ally with the undead vampires incredibly stupid. And indeed, there’s always a thin strain of disdain for humans that remind us of the reasons for not interacting with humans.

Another development is the fact that the anti depressants Lissa’s taking are no longer working perfectly – and this makes important sense because our bodies always develop resilience to any kind of medicine, and this is something people who are on such medication actually face. Once again, the realistic and consistent portrayal of mental health issues blows me away.

What’s more, Lissa is now no longer the only person facing this problem. As the medicine grows less effectual, Rose gets into the habit of unconsciously reaching through their spirit bond and drawing the darkness away from her friend. This leads to her having uncharacteristic bursts of anger and violence all over the place, and it’s only in Shadow Kiss that they figure out what the hell is going on. Rose’s desperate need to ensure her friend’s safety is remarkable – and honestly, not something I’d be okay with doing. I mean, maybe I’d take a bullet for you, but there’s no way I’m taking your insanity.

Probably.

A result of the strigoi attack – the aftermath of which Rose witnesses while on her Qualifier exam – and a second one that takes place later on in the book, is that it sends their little world into a spiral of panic and fury. Moroi begin to urge for more protection – a difficult prospect considering the dwindling dhampir numbers. For one thing, dhampir women no longer come forward to be guardians. The reason for this is understandably straightforward – a guardian has no place in her life for family or friends. The moroi they guard is the be all and the end all of their universe (unless they get paid vacation leave, which isn’t all that frequent). As a result, a lot of dhampir women leave moroi society and go live in communities of their own, their biggest motivation for this being that they get to keep and raise their children. Dhampirs getting married are rare (understandably, since they cannot have children with their own, and since moroi marrying dhampirs is looked down upon) and as a result, a lot of moroi men come to these communities full of single dhampir women, looking for easy sex. Sometimes the women allow them to drink their blood during sex – a pornographic taboo – thus earning these communities the nickname of “blood – whore camps”.

A female dhampir guardian who chooses to have a child gives their children over to boarding schools like St. Vladimir’s to raise and train, and Frostbite introduces one such guardian – one whose formidable reputation precedes her everywhere she goes: Janine Hathaway.

Rose exhibits classic resentment born out of abandonment issues towards her mother, and yet she unquestioningly espouses the same principles her mother holds dear. Her challenging of her mother’s decisions therefore end up being typically teenage – short sighted, and not entirely thought through. Perhaps things might have been different if Janine was appreciative of her daughter’s achievements, and indeed, Janine does seem to make a few overtures – most of which Rose fails to notice because she’s wrapped up in her Dimitri drama. Rose’s relationship with her mother is written exquisitely, and is all the more painful because of how similar the two of them are. The potential for a far deeper relationship is right there, but neither of them really know how to even begin to achieve that.

The painfully selfish nature of the moroi is thrown into sharp relief against the silent self sacrifice of the guardians. The moroi reason that they’re doing their part in the battle against the undead – by reproducing with dhampirs to create more guardian material. Following the attacks, the more pampered sections of moroi royalty begin to demand that all dhampirs everywhere be forced into service… and that the dhampirs be made to graduate in their sophomore or junior years and thus swell out the ranks. A more reasonable section begin to point out that they can use their elemental magic to learn how to fight strigoi, rather than sit back and wait to be picked off one by one.

The debates kicked off in this book gradually develop through the rest of the series, and books seem to bear witness to history being made.

Frostbite introduces Adrian Ivashkov, a spoilt yet charming Moroi royal given to partying and hitting on Rose. Having learned of Lissa’s abilities, he wants to get together with her and learn new things about Spirit, which is what he has also specialized in. While Lissa is more than happy about this new development, her boyfriend, Christian Ozera, couldn’t be less displeased.

Christian is an example of how deep the stigmas and biases are rooted in Moroi society. Having had the misfortune to be born to parents who decided to willingly turn strigoi, he is ignored at best, and actively shunned at worst. While there can be no doubt of his love for Lissa, and hers for him, Christian is acutely aware that the Dragomir princess – last of her line – needs to be with someone with more influence and social capital than he does. His insecurities about pulling her down with him surface with the appearance of Adrian, who is everything he’s not – rich, and the height of royalty and popularity (Adrian is directly related to the current Moroi queen, Tatiana Ivashkov, and is a great favourite of hers).

The queen takes a special interest in Lissa, which sadly tends towards criticism more often than not. It is eventually revealed that the queen was hoping to set Adrian and Lissa up together, so Christian’s fears weren’t entirely unfounded. Watching him mature into a more secure and fun loving person, and his gradual acceptance into Moroi high society is frankly a treat, because despite his thorny exterior, Christian is snarky and hilarious, has some of the best one liners, is unquestionably brave and intelligent and incredibly loyal to Lissa. In fact, he’s a male, Moroi version of Rose. Just slightly less insane.

Frostbite picks up where VA left off as far as Rose and Lissa’s Mean Girls style relationship with non royal Moroi classmate Mia Rinaldi is concerned. Let me stop a moment here and point out that Mead is probably a Princess Diaries fan, because there’s no way Mia wasn’t named after Meg Cabot’s Princess Mia Thermopolis Renaldo of Genovia. Props for the shoutout. I think it’s awesome.

In the previous book, when our heroines return to the school after a two year ‘vacation’, they find that Mia, previously a nobody who they don’t recall, has worked her way up the social ladder at St. Vlad’s. She doesn’t take too well to their return, something Rose initially attributes to a classic Mean Girls-esque fear of being supplanted. It is later revealed that Mia harbours a particular dislike for Lissa due to a fling-gone-wrong that she’d had with Lissa’s now deceased older brother, Andre. Like all typical royals, Andre wasn’t too keen on letting anyone know he’d hooked up with a non royal freshman, and didn’t even bother to let her down easy. It’s interesting to see Rose and Lissa grapple with this information and the sympathy it evoked in them, and then eventually decide that they can’t be nice to Mia as long as she’s on the offensive anyway.

When Mia suffers a loss in this book, it opens up the door to forming a friendship which, for them, is likely to be more valuable than all the royal social networking they could do. Mia, it turns out, is fiercely determined, independent (when she’s not feeding her own insecurities about royalty) and a scrappy fighter. Along with Christian, she becomes one of the leaders of the faction calling for Moroi defending themselves with magic.

Every book in this series features a heavy action sequence at the very end, often with complimentary casualties galore. The final act in Frostbite sees Rose, Mia, Christian, and Eddie Castile and Mason Ashford fight themselves out of an impossible situation. “This changes everything” is an oft repeated phrase in the book, but it’s clear that even as the Strigoi change their ways to become more deadly, Rose and her friends adapt almost as easily to those changed circumstances. The final act is decisive in that it shapes Rose and Eddie’s futures, becoming that very real point in their lives which spurred them on in their determination to become the best, and most deadly guardians around. Likewise, it was pivotal in shaping Mia and Christian to be future leaders of the Moroi community. Most importantly, it brings Rose face to face with death for the first time – both in the sense of experiencing it in her own life, and in that this book marks her first kills. This, more than anything else, proves to be the first step towards fixing her relationship with her mom.

A seamless sequel that provides consistent writing and story telling, Frostbite helps bring out the previously unseen flaws in the universe painstakingly built up by the first book and convinces the reader that these may be the exceptions that prove the rules. The fact that this series is filled with hilarious quips and naturally snarky characters only makes the book that much better a read.

Next: Vampire Academy #3 – Shadow Kiss