Book Review: Bloodlines #3 – The Indigo Spell

Title: The Indigo Spell
Author: Richelle Mead
Year of Publication: 2013
Series: Bloodlines
#: 3
Goodreads Rating (Avg.): 4.43
Goodreads Rating (Mine): 4

Spoiler Warning

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Plot Description: Having kissed Adrian once, Sydney is now struggling with the realization that she might perhaps return his feelings, even as she continues to follow up on leads that hint towards corruption within her organization, the Alchemists. She also finds herself in danger thanks to a mysterious serial killer witch who is tracking down young magic users and draining them of life and power.

The Indigo Spell begins on a hilarious note:

This wasn’t the first time I’d been pulled out of bed for a crucial mission. It was, however, the first time I’d been subjected to such a personal line of questioning.

“Are you a virgin?”

“Huh?” I rubbed my sleepy eyes, just in case this was all some sort of bizarre dream that would disappear. An urgent phone call had dragged me out of bed five minutes ago, and I was having a little trouble adjusting.

My history teacher, Ms. Terwilliger, leaned closer and repeated the question in a stage whisper: “I said, are you a virgin?”

“Um, yes. . .”

I was fully awake now and glanced uneasily around my dorm’s lobby, making sure no one was around to witness this crazy exchange.

Sydney’s proficiency in spellwork is improving, as is her willingness to engage with her potential for magic. These are two reasons why Jaclyn Terwilliger pulled her out of bed in the middle of the night to help her with a spell. The third reason is her virginity.

This is possibly due to my own personal hang ups, but I hate the idea of virginity holding any special kind of power. It’s a theme that’s inescapable however, turning up in a wide range of subjects from historical virgin sacrifices to modern society’s obsession with virginity.

For one thing, the concept of virginity is highly subjective. We’re given to understand that the historical definition of virginity centres around the heteronormativity of sex – (i.e. where a man, a woman and their respective private parts are involved). This sucks for a lot of reasons – anything that’s not heterosexual is not included, for starters. Even within this narrow definition of sex, one still runs into problems, because people have been using the hymen as the designated virginity marker. And the hymen often… doesn’t exist. Or is lost in ways other than through sex. Or can remain unbroken despite intercourse due to incredible elasticity. In young women, it even shows remarkable healing qualities.

A theory I like more these days is that virginity is more psychological than physiological. If you feel like you’re a virgin, then you’re a virgin.

Whoa, I’ve gotten slightly off track. Bloodlines is not the first universe to attribute magical qualities to virginity, and I don’t doubt that it won’t be the last. Even Terry Pratchett’s Discworld makes allusions to this trope by contrasting the unmarried and virginal Granny Weatherwax against the thrice married and happily promiscuous Nanny Ogg. But yes, the idea still makes me uncomfortable – partly because of the horrendous mess ‘virginity culture’ has become, and partly because I’m afraid it might be true.

Ms. Terwilliger’s spell reveals the location of a powerful witch – one who she worries is going after young witches for their youth and power. Once again, she’s pushing for Sydney to actively learn more magic – for her own protection if nothing else.

On a much lighter note, Bloodlines provides us with happy Vampire Academy cameos in the form of a Royal Wedding (Sheesh. Does there have to be so many of those?) Queen Vasilisa Dragomir is getting married to longtime boyfriend Christian Ozera, and it’s all very cute. Of course, the Queen is still in college, but when you’re a monarch, I’m guessing such mortal concerns go out the window. Sydney is attending the wedding as part of an Alchemist contingent who are there to ensure that they don’t accidentally insult the Moroi by not turning up. Adrian manages to create quite a lot of controversy by asking her to dance – a proposition that horrifies the Alchemists, and shocks many of the Moroi (including – get this – Abe Mazur).

Ha! Got you, old man.

Sydney’s boss implies that she’s got to take one for the team because they don’t want to look ungracious (or repulsed) by declining. And so we get our first Sydrian dance.

Told you it was cute.

He was unconcerned. “You’ll make it work. You’ll change clothes or something. But I’m telling you, if you want to get a guy to do something that might be difficult, then the best way is to distract him so that he can’t devote his full brainpower to the consequences.”

“You don’t have a lot of faith in your own gender.”

“Hey, I’m telling you the truth. I’ve been distracted by sexy dresses a lot.”

I didn’t really know if that was a valid argument, seeing as Adrian was distracted by a lot of things. Fondue. T-shirts. Kittens. “And so, what then? I show some skin, and the world is mine?”

The Sydrian plotline converges neatly with the rogue witch plotline as Sydney and Adrian go roadtripping. Their objective? Track down young women in the neighbourhood who might be in danger and ask them to be on their guard.

Sydney finally manages to track down Marcus Finch, an ex-Alchemist who rebelled and has been in hiding from his former employees ever since. Marcus is the one that finally reveals the secret behind the golden lily tattoos worn by all the Alchemists. The tattoos are made with Moroi blood and have bits of compulsion infused into them, making it impossible for the Alchemists to reveal the secret of their occupation to anyone not already in the know. It also makes them compliant and unquestioning, and might even promote the revulsion for vampires that they all seem to share. The good news is, Marcus has found a way to break the compulsion in his tattoo by means of an indigo coloured ink.

The teenager subplot drags alongside the main plot, being neither so interesting as to catch my attention, nor so boring that I’d completely skip over those parts (which is what happens to me every time something romantic turns up in a James Patterson novel). A love triangle turns into a love quadrangle and eventually resolves itself to mutual satisfaction. Sort of like in A Midsummer Night’s Dream, but with gender roles reversed.

Mead’s humour and comic timing is as ever on point, which makes the occasional hiccup in her writing style so much more bearable.

It was hard for me to talk. “It’s instinct. Or something. You’re a Moroi. I’m an Alchemist. Of course I’d have a response. You think I’d be indifferent?”

“Most Alchemist responses would involve disgust, revulsion, and holy water.”

The overarching story line continues to be paced off well, with Sydney and Adrian finally taking their friendship to the level of a tentative relationship, and with the appearance of a new antagonist more powerful than any Sydney has faced up until now.

“Are we going to run off to the Keepers?” he suggested.

“Of course not,” I scoffed. “That’d be cowardly and immature. And you’d never survive without hair gel – though you might like their moonshine.”

The Indigo Spell is a comfortable middle ground for a series – ferocious action combined with cheesy and heart warming romance and serious character development. And my favourite parts about the Bloodlines series are yet to come.

Next Review: Tales of Alvin Maker #3 – Prentice Alvin

Next in this Series: Bloodlines #4 – The Fiery Heart

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Book Review: Bloodlines #1 – Bloodlines, Richelle Mead

Title: Bloodlines
Author: Richelle Mead
Year of Publication: 2011
Series: Bloodlines (Series sequel to the Vampire Academy series)
#: 1
Goodreads Rating (Avg.): 4.22
Goodreads Rating (Mine): 3

Insert the Usual and Mandatory Spoiler Warning Here

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Plot Description: In this series sequel to Mead’s Vampire Academy series, we revisit the world of dhampirs and Moroi – and the much overlooked human component of this world, the Alchemists. We’re following the continued story of Sydney Sage, a minor but favourite VA character who made her first appearance in Blood Promise, the fourth book of that series.
We’re also following complete fan favourite Adrian Ivashkov, who, broken hearted and looking for meaning in life, is drawn to Sydney as the two of them work on a new assignment together.

I have to admit, when I first heard of the idea of Adrian and Sydney getting together, I was skepticalYou cannot imagine two people MORE different than these twoBut I tried to be open minded, and by the time I got to Book 6, I was Team Sydrian all the way.

The main characters from VA – Rose, Lissa, Dimitri, Christian – barely make an appearance in Bloodlines, which is filled with supporting cast members coming forward to take center-stage. And they each bring their share of secrets and problems to the table, which, as everyone knows, is the recipe for a really good book.

Adrian’s broken-hearted following the end of his relationship with Guardian Rose Hathaway. Sydney, on the other hand, is in a LOT of trouble with the Alchemists – the organization she works for – for her involvement in Rose’s adventures from Last Sacrifice. She’s suspected of having colluded with vampires, and of having developed feelings other than disgust or contempt for them. (Yes, this is a really serious accusation that is levelled amongst Alchemists. They’re all insane.) Although there’s no formal inquiry, Sydney manages to dispel the cloud of suspicion in time to be assigned to the latest Alchemist case in Palm Springs. Her biggest reason for taking on the case was to ensure that her sister Zoe doesn’t get caught up in the Alchemist life, which she will if their domineering father has his way.

The rest of the characters in Palm Springs are Jill Mastrano,  along with her dhampir guardians Eddie Castile and Angeline Dawes. While Jill (Lissa’s half sister) and Eddie were very prominent in VA, Angeline barely got a mention for the first time in a subplot involving the reclusive  keepers in Last Sacrifice.

The important subplots are the ones involving possibly magical tattoos being given to humans, of Sydney’s teacher trying to get her to learn human magic (sort of like Wicca), teen drama among the younger set of dhampirs and Moroi, and Sydney’s relationship with Adrian.

My God, Sage. Your eyes. How have I never noticed them? The colour, when you stand in the light. They’re amazing . . . like molten gold. I could paint those . . . They’re beautiful. You’re beautiful.

– Adrian Ivashkov, Bloodlines

Sydney’s character development kickstarted early on in this universe – right from the moment she was introduced, in fact, although there was no way I would have imagined that she’d come to lead her own series. As an alchemist, she’s been indoctrinated to hate, fear and hold in contempt these ‘unnatural’ and ‘unholy’ creatures – vampires, and dhampirs by association. But since there’s always the greater Strigoi threat to be dealt with, Alchemists have an uneasy alliance with the Moroi. Sydney’s bias and bigotry are evident in her behaviour towards Rose, but by the time we come to the end of the series, it’s evident that she’s beginning to think of them as just a different kind of people – not monsters of the night.

Adrian, on the other hand went from alcoholic party boy to good boyfriend who gave up his debauchery in order to impress his girlfriend. Even if personal change is precipitated in you by another person, it should never stay that way. If the only ever reason why you change is another person, that change is going to fall apart the minute that person leaves, or is taken from you. So it’s kind of a one step forward, two steps back kind of situation that Adrian is dealing with. And to cap it all off, he’s now spirit bonded with Jill.

Yes, the reason Jill is incognito in Palm Springs is because there was an attempt on her life, she died as a result, and Adrian brought her back. The concept of a spirit bond was a lot cooler back when it was two teenage girls who were sharing thoughts. Now it’s a high school freshman (or however old Jill is supposed to be) who has access to the thoughts of a highly unstable grown man. Eek. After Jill is punished for being drunk and then having a hangover the next day, Sydney figures out what’s going on and reams Adrian out.

Jill’s guardian is Eddie Castile, long time best friend and sidekick to Rose Hathaway. Eddie was the only guardian to attempt to protect Jill during the attempt on her life, since all the other guardians were busy protecting the Queen, Lissa. The reason for this is because he’s really in love with her, which is the cue to kick off all of the teen drama and love triangles quadrangles that take place in this book.

I would choose this space in order to rant about the impropriety in Eddie falling for a girl whose initial nickname was literally Jailbait (courtesy Adrian, who else), but hello. This is the series that brought us the great Rose-Dimitri love saga, where they could barely wait for her to hit eighteen before ripping each other’s clothes off. And the age gap in that case is a LOT greater than in the case of Eddie and Jill.

Any age-propriety rants in this universe are just going to fall on deaf ears. So it’s one of my blind spots in this fandoms – one of the things I have issue with but choose to ignore in order to continue enjoying the fandom itself. Other examples include all time fan favourite Damon Salvatore engaging in an abusive relationship with Caroline Forbes in early first season The Vampire Diaries and the subject never being brought up after that storyline wrapped up. Till date, the only sign that something like that ever happened is Caroline’s continued dislike of the guy – despite the fact that one of her best friends is soul mates with him, and her other best friend is his best friend too!

But, this is not a review of The Vampire Diaries. Nor is it a review of the Ezria relationship in Pretty Little Liars, which was pretty outrightly illegal at the start. So, coming back to the final main character of the Bloodlines series – Angeline – let me just say this:

Angeline is the most fun. Ever.

Angeline flushed. “It’s not my fault.”

“Even I know you can’t write an entry on Wikipedia and then use it as a source in your essay.” Sydney had been torn between horror and hysterics when she told me.
“I took ‘primary source’ to a whole new level!”
Honestly, it was a wonder we’d gotten by for so long without Angeline. Life must have been so boring before her.”

– Adrian Ivashkov, Fiery Heart

Angeline has trouble adjusting to civilization because she was raised in a moroi-human-dhampir communeity that felt they were keeping to the old ways by staying in contact with (and reproducing with) humans, unlike current Moroi society. The Keepers refuse to submit to the Moroi monarchy, and therefore must do without the little luxuries of life. I.e. Electricity.

Now, I’m pretty sure Mead drew on many, many stereotypes for her portrayal of the Keepers, but… it’s kind of hard to care about considering it’s not a main plot point. And it makes Angeline REALLY funny because of all things she doesn’t know is considered appropriate or inappropriate in society. (Like random violence and sexual harassment: inappropriate; cheating on class tests: inappropriate).

Angeline provides a fresh voiced perspective on society – all of society, not just the parts with vampires and stuff in it – through her constant questioning of everything. She poses a very important lesson for – (and I cannot stress this enough) – each and every one of us:

Question all the facts you’ve been handed since you were born. I mean, you can’t think out of the box without first seeing the box itself, which is a huge problem when it comes to challenging social norms (like their school’s dress codes) and why and how they came to exist in the first place.

In most cases, when asked to explain the rationale behind oppressive norms and customs, those defending them will have the option to either shut you down – which is what schools do when they hand out detentions; or hide behind stupidity and blind faith. [“Because I said so” type arguments brought out by religious leaders come to mind.]

Two more characters that need to be discussed are Keith Darnell and Jaclyn Terwilliger. The latter is a teacher at the school and the leader of a witch coven who’s trying to recruit Sydney. Imagine the kind of conflict an indoctrinated magic and vampire hater faces when they’re told they have the innate ability to do magic flowing through their veins.

Keith is the subject of a more serious topic – and also the reason why Sydney was so deeply obligated to Rose Hathaway’s gangster father Abe Mazur in VA. Sydney was the only person who knew about her father’s Golden Boy Darnell raping her older sister, and her sister made her promise not to tell anyone. So when Sydney grew up and joined the Alchemists, she did what any sane person would do – took a hit out on Darnell, and used Abe Mazur’s contacts to do it. Keith thinks a random Strigoi attack took out one of his eyes with an arrow. Keith can apparently be very gullible.

The first time I read Bloodlines, I wasn’t entirely impressed with the book. Something about it – the style of writing, the editing maybe? – rubbed me up the wrong way. But my second read this year didn’t pose too many problems in that direction, so perhaps it was the crappy pirated pdf version that was the problem.

It’s a great set up book, establishing Sydney as determined to do the right thing and imbued with a great sense for fairness. It also shows us a side to her that goes beyond indoctrination and machine like obedience, both in her affections for her vampire friends and in her dealings with Mrs. Terwilliger.

Containing much of Mead’s hallmark comedy and teen drama, Bloodlines is a light read that touches on bigger and darker issues to be explored as the series progresses. It’s a must read for Vampire Academy fans, but you don’t really need to know the history of the series in order to pick it up and start reading.

Next in this Series: Bloodlines #2 – The Golden Lily by Richelle Mead

Next Review: Tales of Alvin Maker #1 – Seventh Son by Orson Scott Card

Book Review: Vampire Academy #6 – Last Sacrifice

Title: Last Sacrifice
Author: Richelle Mead
Year of Publication: 2010
Series: Vampire Academy
#: 6
Goodreads Rating (Avg.): 4.46
Goodreads Rating (Mine): 5

Last Sacrifice

Beware: The Inevitable… SPOILERS!

Last Sacrifice is the Fast and the Furious and Die Hard 2: Die Harder all rolled into one of the VA series. And I’m not just saying that because of the inordinate amounts of C4 explosive in this book.

In Last Sacrifice, the gang goes from under-the-radar hijinks to an IN-YOUR-FACE, GOVERNMENT level of hijinks. The Moroi government should really have known better than to put Abe Mazur’s daughter in jail and try her for a capital crime. Just saying.

Just as in Blood Promise, the books splits itself to follow two storylines, once again through that unique narrative device of having Rose see through Lissa’s eyes. It begins where Spirit Bound left off – with Rose in jail. Thankfully she has all the likely allies, as well as a few unlikely ones now. The least likely of these allies is the ghost of the very person she’s been accused of murdering – Queen Tatiana Ivashkov.

The first order of business is – what else? – a prison break. Again. Then again, if these guys could break into Tarasov (aka Most High Security Vampire Prison Ever) and get Victor Dashkov (aka Former Villain of Book No. 1) out, then breaking into the local jail and breaking Rose out should be no problem. And it isn’t.

The jail break and subsequent escape puts Rose back in Dimitri’s company, thus allowing for a slow healing of their relationship. They meet up with Sydney Sage again – she’s been popping in and out of the storyline ever since Blood Promise – and Abe intends for them to lie low while he, Lissa and the rest of the gang work their way through the whodunit back at court.

Rose, on the other hand, takes this time to work on Ghost Tatiana’s clue, which relates to Moroi politics and their rather dumbass laws. According to Moroi law, the Council votes on everything, and the Council is made up of the representatives of each Royal House along with the Queen or King. And currently, only 12 out of 13 seats on the Council are being filled, because the Dragomirs have all but died out. Lissa’s friends and supporters (read: Christian’s aunt, Tasha Ozera) had already pointed out that Lissa deserves her seat on the Council now that she’s 18 (Side Note: How did Lissa herself not think of this?). But Moroi politics, it turns out, isn’t as simple as all that. There needs to be a quorum – that is to say, a council member has to have at least one other family member in order to be able to stand. Like I said, dumbass law.

And now, Tatiana, of all people, tells Rose that Lissa does indeed have another family member out there. She’s not the last Dragomir – that honour falls to her illegitimate half sibling. The identity of this sibling, when it is revealed, is one that we realize has been well seeded. VA is no amateur series of novels written blindly and without forethought. The reader had already met the last Dragomir – way back in Shadowkiss, and said sibling has been popping up consistently throughout the storyline since. Just like Sydney Sage, or Mia Rinaldi, or Tasha Ozera. Even when they’re not essential to the plot, Mead does right by her characters. They’re all well fleshed out and multi dimensional, and they’re never allowed to be forgotten.

To gain themselves time to solve the murder mystery, Rose comes up with a master plan: Nominate Lissa in the election for the new King or Queen. Because while she would need a quorum to be actually elected, she doesn’t need one to just run. And so while Lissa is running for queen and trying to exonerate Rose back at Court, Rose is running from the authorities and trying to find Lissa’s sibling and thereby legitimize her position with the Council. These girls, always looking out for each other.

One run in with the mysterious (and fairly uncivilized) Keepers, one Strigoi healing, one reconciliation with Dimitri, and a lot of following the paper trail later, Rose is headed right back to Court with all the answers and a very confused Jill Mastrano. Since Lissa outperformed most of the other Royal candidates on the trials, she’s just in time to back Lissa’s right to be elected.

And also just in time to save Lissa’s life, one last time.

Last Sacrifice takes its haunting title very seriously. The last act of the book echoes every part of Rose’s life, and how it always comes right back down to Lissa. She started out with a singleminded determination to save Lissa no matter what, and then she learned to question that determination. She learned to set a few, necessary boundaries, but the bottom line remained unchanged. Just as she put Lissa’s life over Dimitri’s in  Spirit Bound, so too did she put Lissa’s life over her own in Last Sacrifice. 

In fact, her life isn’t the only thing Rose sacrifices at the Lissa altar. Present all through the series is the link between Lissa’s spirit use and her depression. In fact, on numerous occasions after Lissa weans herself off the anti depressants, both girls have expressed relief that Spirit isn’t affecting her as much as it used to. That this is a patent lie is something neither of them seems to want to acknowledge, considering Rose has made sucking that darkness out of Lissa and into herself through the spirit bond something of a hobby.

Throughout Lissa’s royalty trials, Rose does this as she watches her friend through the bond. She pulls away the darkness over and over again, putting it away in a quiet corner of her mind. Repression is never the answer – everyone knows that, including these girls, but they don’t have the time for anything else at the moment. And so it goes, until Rose snaps and all that darkness comes tumbling out of her.

It’s an intensely written moment – chaotic and full of irrational fury. The engaged reader is carried along on the strength of sheer emotion, and despite the words we’re reading, we’re not actually clear on what’s going on until the deed is done and a man is dead.

Having sacrificed the last of her innocence halfway through the book, Rose now, at the end of the final act, gives Lissa the only thing she has left – her life.

The book ends on as neat a note as could be managed under the circumstances. There were, of course, loose ends that infuriated me until I realized a new followup series was in the works. But, contrary to what my sad ending review may lead you to believe, there are no great tragedies in Last Sacrifice. It’s the quintessential triumph-over-evil-in-the-end kind of book. The final chapter puts a cute little bow on almost everything, and for what’s left over, [*cough* Adrian *cough*] you get to read the Bloodlines series.

Next in this Series: Bloodlines #1 – Bloodlines by Richelle Mead
Next Review: #scandal 
by Sarah Ockler