Title: The Everafter War; The Inside Story; The Council of Mirrors
Author: Michael Buckley
Year of Publication: 2009; 2010; 2012
Series: The Sisters Grimm
#: 7, 8 & 9
Goodreads Rating (Avg.): 4.31; 4.28; 4.39
Goodreads Rating (Mine): 3; 2; 2
SERIOUS AND MAJOR SPOILERS (Especially for Book 9) INCLUDED.
Don’t even think about reading this book unless you don’t care about spoilers.
Also, REALLY long review. Sorry, but there was a LOT to rant about.
Plot Description: The final three books in this series are darker, edgier, and the plots get more wilder and implausible than ever. To add to this mess, there’s more sexism and problematic plot points, story lines that drag on forever, and TERRIBLE editing and continuity issues.
To summarize, The Everafter War deals with a Civil War between factions led by Charming and the Queen of Hearts respectively. Oh, and the children’s parents are finally awake – which is not the good thing I was hoping it would be. The Big Bad is finally revealed, and while this reveal is impressive at first, I was progressively less impressed and more annoyed by the Master’s plan, motivations, minions… everything.
The Inside Story is a bizarre and completely meta journey through the original book with which the fates of all the Everafters are entwined. Sabrina and Daphne follow the Master through all the fairytale stories as they try to stop the Master from rewriting their story.
The Council of Mirrors features the final showdown/ battles/ curses et cetera et cetera. It also features what was possibly the most random subplot; inserted as the most random plot twist ever, and about which I’m completely conflicted.
While Sabrina and Daphne are finally beginning to show signs of solid character development, the appearance of their parents on the scene kind of sets the whole family back by about ten steps. To be more specific, it turns out the girls’ dad is a controlling idiot who won’t listen to reason, doesn’t consider his daughters’ opinions worth listening to despite everything they’ve achieved so far, and follows a policy of requiring strict obedience. Including from his wife.
Suddenly, the girls’ mother getting involved with the Faerie in NYC is put into greater perspective. She went to great lengths to keep her activities secret even though she was standing up for something she believed in – all because her husband will throw a temper tantrum and ‘forbid’ her from doing things he doesn’t like.
[Full disclosure: The girls’ father is only unreasonable when it comes to Everafters, and that’s because he watched his father die because of them/ at their hands or something else. This, however, does not excuse a grown man for dragging his family out into the woods in the midst of a war, with NO plan, NO money or supplies, and NO agenda except for ‘you’re all supposed to just listen to me’. ]
One of the characters in the book tries a retcon justification for his behaviour by calling him the ‘protector’ of the family. But dude, no.
I think this nonsense about confusing protection (and the affection that comes with it) with the need to control people needs to stop, and it needs to stop NOW. Too many fathers and other kinds of paternalistic figures have justified the most unacceptable kinds of behaviour by claiming that they were acting in the best interests of their dependents. And this is despite the fact that in a LOT of these cases, their behaviour when evaluated from an objective perspective was found to NOT to be in the best interests of their dependents.
Clearly Mr. Grimm isn’t the only person to ever have engaged in such nonsense behaviour, and he certainly won’t be the last… but let’s not confuse protection with control, and let’s not ignore this issue.
From an objective plot perspective, The Inside Story is convoluted and largely unnecessary. It’s clear by this point that the story is being stretched as thin as it can be without it falling apart.
But I won’t deny that The Inside Story was kind of fun to read. It’s every reader’s fantasy to be able to step into their favourite books and get to enact parts of it out – maybe even change stuff around. To suddenly be the star of your favourite show – that’s what this book is all about.
And that brings us to The Council of Mirrors and an end to this whole… experience (for lack of a nicer word). The final scenes of the story involve Snow White – a character who has always been a part of the story without really taking centre stage at any point of it. Her on-off relationship with Charming is one of the running gags throughout the stories. Snow is someone who actively works to shed herself of the damsel in distress tag – she’s a Ferryport self defence instructor, and she refuses to allow Charming’s self absorption to define her or their relationship.
In the final plot, it is revealed that the story of Snow White has been faked – it wasn’t the version included in the original Grimm stories. In the real version, she’s married off to a sadistic and abusive husband, at whose hands she dies. Unable to watch her daughter’s life play out in this manner over and over again, her mother – the Evil Queen – steps in to modify the story and edit the abusive husband out of it (replacing him with herself as the villain instead). Charming, the sadistic Prince’s younger brother, was written into the story as Snow’s love interest, and that was that.
Or it would have been, if Sabrina and Daphne (and the Master) hadn’t crashed through the Fairytale book in which he had been trapped, and freed him. In a final showdown between this man and Charming, (after Snow has been kidnapped and taken away as the guy’s lawful wife – and property), he’s finally overpowered. It took like, a bunch of people to get the job done. And then Snow delivers the killing stroke – and with that action supposedly reclaims her identity and her life.
Heavy stuff, huh. At first I felt it a little inappropriate – introducing such a horrible sub plot into what’s essentially a book for children. But then I remembered that the original tales by the real brothers Grimm had been graphic, gory and ugly.
This evocation of the spirit of the original tales – be it conscious or unconscious – seems to be a theme in the Sisters Grimm series. I was discussing Sleeping Beauty a few days ago, and we were talking about how in the original story, the Prince rapes her in her sleep, causing her to become pregnant and to deliver twins – whilst still asleep. She only woke up when one of the twins accidentally sucked the cursed flax/ needle out of her finger.
At the time, I couldn’t remember where I’d read something similar. At least, not until I began reviewing books 4 – 6 of this series. The girls’ mother, Veronica, is pregnant at the time when she’s kidnapped by the Master along with her husband and put into an enchanted sleep for two years. She delivers the baby while in her sleep – because yes, THAT’S how childbirth works. (I don’t know why he didn’t just throw a stork in there too, just for kicks.)
I mentioned in my review of Books 1 – 3 that I had issues with the subtextual messages being sent by this series. In addition to the conflation of protection and controlling & my issues with this trivializing of subjects like childbirth and murder (remember the juvenile homicidal maniacs from book 2?), I find the way Snow White’s story was resolved extremely problematic.
For one thing, that entire subplot was completely unnecessary to the plot – the homicidal husband was never a part of the Master’s plan – so clearly it was thrown in there because Buckley thought this a masterful retelling of the story on his part. Now, I’ve mentioned that he has managed to that very thing with the story of Little Red Riding Hood earlier.
But whatever worked for that subplot does NOT work for this one. For one thing, trauma is not easily or instantaneously gotten over. If years of training herself hasn’t helped her yet, putting a knife through a man she didn’t even help overpower is not going to do it. Life’s not that easy, and if you’re going to try and make it “realistic” for the kids by including homicidal husband storylines, then you really ought not to pull a last minute cop out and wrap it up neatly in a very unrealistic bow.
The final three books in the Sisters Grimm bring a series that started out promising to a very disappointing (and badly edited) finish. The story was dragged out unnecessarily, and at times, it felt like the only thing keeping Buckley’s universe together was a thin strand of fiction – which is the only thing every character and subplot in this series have in common after all.