Title: Once Upon A Crime; Magic and Other Misdemeanours; Tales From the Hood
Author: Michael Buckley
Year of Publication: 2007; 2007; 2008
Series: The Sisters Grimm
#: 4, 5 & 6
Goodreads Rating (Avg.): 4.25; 4.28; 4.28
Goodreads Rating (Mine): 3; 3; 3
A Few Spoilers are Inevitable
This review covers books four to six of The Sisters Grimm series. I’m your reviewer for the day, and if I sound a tad automated, it’s because I’m too tired to be witty.
*Puts on Damon Salvatore voice*
Once Upon Crime finally lets the sisters, their grandmother and the whole Scooby Gang out of the miserable little town that is Ferryport. They head to NYC, which is where the Faerie Kingdom holds court (duh) for the purpose of saving Puck’s life (he was injured by the Jabberwocky in the previous book). While they’re there, they fall headlong into the assassination of Puck’s father, Oberon, King of the Faeries. No prizes for guessing who the prime suspects are!
Literally the only interesting thing to come out of this book in the long term is the fact that Sabrina comes face to face with her mother’s legacy involving Everafters, finally allowing her to make peace with her family’s history to some extent for the first time. She basically ends up finding it difficult to hold on to her bigotry so hard when her mother was obviously an active supporter.
A supposedly funny subplot in Once Upon A Crime is the way Puck, while incapacitated in his healing cocoon (a large and smelling eggplant like structure that floats around) picks Sabrina to be his chosen guardian – instead of his fiancee, whom they discover when they reach the Faerie Court. Sabrina finds the cocoon disgusting and embarrassing, and she has to deal with the fiancee’s anger on top of everything else.
I get that this is supposed to be some kind of love triangle, but all I saw was a pair of pre-teens being catty to each other over a boy. Don’t we have enough stories of this sort flying about in the world already? Buckley tries to do a good job of writing in defences against casual and/ or internalized sexism in his stories, but they just keep creeping in!!!
[Honestly, this is a theme that will only get more pronounced as we progress through the series.]
Magic and Other Misdemeanours once again deals with a series of thefts – of magical objects, as well as a discriminatory campaign against human residents of Ferryport, who are being pushed out of their homes, jobs and lives by any means possible – courtesy of the new Mayor, the Queen of Hearts.
Baba Yaga – a crazy witch who lives in a house on legs and fits every stereotype of the ugly, scary witch there ever was – makes an appearance. Puck continues to be hyper and over the top, acting like he’s seven or eight, even though his feelings for Sabrina are actually making him grow older.
The resolution to the mystery was sad in both senses of the term. It was saddening, and it was pathetically sad at the same time. After all the mystery and tension and so many plot twists and blind alleys, the final reveal is a complete letdown.
In terms of plot development for the series overall, Magic and Other Misdemeanours holds its own. In fact, the entire Sisters Grimm series just feels like an endless row of dominos falling over – one after the other, and with each precipitating the next.
Tales From the Hood is, I suppose as close to a personal favourite as this series is ever going to get from me. That’s because it has my favourite character from this book – Canis, aka The Big Bad Wolf – at the centre of the plot.
I think part of what makes Mr. Canis so interesting is that – at this point in the series – he stands out amongst the characters. It’s been six books. We (especially those of us who binge read the series) know these characters so well, that all the quirks that started out as endearing are now extremely annoying. The characters dutifully fill in their assigned roles –
Charming is all blustery and he hates them and he gets in their way a lot, but he ends up helping save the day in the end. Puck is mischievous and a trickster and very, very GROSS. He also has his moments of maturity, but not nearly enough of them. The three little pigs were too much to write, so two of them got written off the series (TV Show style), and now there’s just one Little Pig. He’s caring, has a heart of gold, yada yada yada.
The Queen of Hearts is evil. So’s Rumplestiltskin and a bunch of other people. In fact, they’re so evil, that they’re black-and-white, cardboard caricatures of what evil fairy tale villains look like.
Disney called. They want their Standardized Villain Mould (TM) back.
Canis though, is a character with layers to him. He’s on a constant anger management schedule. He spends most of his time meditating. He can turn into a rabid wolf. He has a split personality disorder, and now that he’s put on trial in Tales From the Hood, it’s up to his lawyers (the Scooby gang) to prove that Canis is innocent because it was the other personality that did it.
I like Canis, and I’m not just saying that because I might not be entirely sober right now. I’ve always been fascinated by powerful forces of nature kept under strict restraint, lest they get free and wreak havoc.
Oh, and I appreciated the re-telling of the story of Red Riding Hood. Points for ingenuity and subversion of tropes and all that. Points off for a tale within a tale that could have been a LOT less convoluted.
The Sisters Grimm occupies a little niche all by itself in the children’s fiction market, and while the first three books were passable, the next three represents the perfect transition stage from acceptable to holy-***-everything’s-going-to-hell mode.
What I’m trying to say is they’re worse than the first three, and yet nowhere as bad as the last three.